Let's Get It On

With Amanda Jane Adams, Tom Byron, Mauvais De Noir, Gail Force. Thirty seconds into Let's Get It On, I was no longer worried about that. I made some adju De très nombreux exemples de phrases traduites contenant "Let get it on" – Dictionnaire anglais-français et moteur de recherche de traductions anglaises. Complex arrangements and elaborate, melismatic vocal riffs were avoided by Motown musicians. Recommençons ensemble, oh bébé. Maintenant, mettons-la dans l'axe. [13] The song later became a concert favorite for Gaye and a live concert version, featuring female fans screaming in the background, was released as a single from his Marvin Gaye Live! Now let's get it to the shaft. Following the breakthrough success of his socially conscious album What's Going On (1971), Let's Get It On helped establish Gaye as a sex icon and furthered his mainstream appeal. Allmusic calls the album "the blueprint for all of the slow jams to follow decades later — much copied, but never imitated. Deluxe edition liner notes (2001), pp. It expands on the title track's sensual theme with political overtones: "won't you rather make love, children / as opposed to war, like you know you should. I think we make far too much of it. Several contemporary R&B musicians, such as Prince, D'Angelo, and R. Kelly, were greatly influenced by its vintage sound and seductive themes, incorporating much of Gaye's musical style into their music. [9] Music writer Rob Bowman later cited Let's Get It On as "one of the most erotic recordings known to mankind. Follow @genius on Twitter for updates [9] The slow jam sound and contemporary R&B production in general were greatly influenced by the album's use of vocal multi-tracking and instrumentation. 19–20. [7], "Let's Get It On" features soulful, passionate lead vocals and multi-tracked background singing, both by Gaye. Sides one and two were combined as tracks 1–8 on CD reissues. "Let's Get It On" is a song and hit single by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. [2] Upon hearing Gaye's preliminary mix of Stover's draft, Townsend protested and claimed that the song would be better suited with sexual and romantic overtones, particularly "about making sweet love. On one level, the separation is between man and woman. album in 1974. Découvrez toutes les promotions CD & Vinyles, les nouveautés ainsi que les titres en précommande. Price New from Used from Audio CD, … Livraison gratuite (voir cond.). Let's Get it On opens the door to the world of MMA in a way that only someone like Big John McCarthy could. Amazon.com Marvin Gaye's 1973 album, Let's Get It On, is a marvel of sexual blandishment every bit the artistic equal of, say, John Donne's best seduction poems. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. Several successful Motown artists, including Lionel Richie and Rick James, were influenced by many of the elements of Gaye's recording style for their work in the late 1970s and early 1980s. Side one; N o Titre Auteur Durée; 1. [2], Townsend assisted Gaye with producing the rest of the album, whose recording took place at several sessions throughout 1970 to 1973. "I'd Give My Life for You" (alternate mix), "Please Stay (Once You Go Away)" (alternate mix), "You Sure Love to Ball" (alternate mix w/alternate vocal), "Just to Keep You Satisfied" (a capella w/alternate vocal), "Running from Love" (instrumental version 1), "Running from Love" (instrumental version 2), Percussion (Special treatment): Bobbye Hall Porter. "[8] Gaye and Townsend rewrote the song's lyrics together with the original arrangements and musical accompaniment of the demo intact. That's the paradox of Marvin himself. En effet, au groove lyrique, grave et cathartique de "What's Going On", "Let's Get It On" … "Let's Get It On" is a song and hit single by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. [2] Following the release of his most commercially successful album up to that point, What's Going On (1971), and the soundtrack album to the blaxploitation film Trouble Man (1972), Gaye had struggled to come up with new material after Motown Records had renegotiated a new contract with him. À suivre. Let's Get It On has been ranked on many critics and publications' lists of the best albums of all time. [Chorus 1] C Em7 F G7 Let's get it on, aah... babe, C Em7 F G7 Let's get it on, let's love, baby. !function(t,e,r){var n,s=t.getElementsByTagName(e)[0],i=/^http:/.test(t.location)? Production, lead vocals, background vocals: Marvin Gaye, except where noted: This page was last edited on 18 January 2021, at 19:44. Gaye had planned the release of an album titled You're the Man, but it was later shelved for unknown reasons. [15] Ankeny also dubbed it "one of the most sexually charged albums ever recorded. During this time, he had also been attempting to cope with past issues that had stemmed from his childhood. ABS-CBN Entertainment . By winning over record executives with the success of What's Going On, Gaye attained more creative control, which he would use, following his brief separation from wife Anna Gordy, to record an album that was meant to explore themes beyond sex. [40] Gaye himself experienced subsequent success with his follow-up release I Want You (1976), featuring more sexually explicit lyrics and expanded use of vocal multi-tracking, and with Here, My Dear (1978), which he based entirely on his tumultuous marriage to Anna Gordy. [19] Successful concert performances of the album's material helped Gaye gain an increasing popularity and fan base in the pop market, while earning him a reputation as one of the top live performers of the time. Originally a member of the doo-wop group The Moonglows, he pursued a solo career after the group disbanded and released many successful solo hits including "I Heard It Through the Grapevine", "Let's Get It On" and "What's Going On". Let's get it on Please, let's get it on C'mon, c'mon, c'mon, c'mon, c'mon, baby Stop beatin' 'round the bush Oh, gonna get it on Threaten' you, baby I wanna get it on You don't have to worry that it's wrong If the spirit moves ya Let me groove ya good Let your come down Oh, get it on C'mon, baby Do you know the meaning? The difference, though, is that the poetry here isn't in the verse--which gets a trifle clichéd--but in the supple pulse of the grooves and in the aching need of Gaye's sensual voice. [35] In 2004, Let's Get It On was inducted into the Grammy Hall of Fame and cited by The Recording Academy as a recording of "historical significance". [9] The commercial success of such recording artists led to a change of trend from socially conscious aesthetics to more mainstream, sensually themed music. Time and space will not permit me to expound further, especially in the area of the psyche. [4] Gaye learned to cope with his personal issues with a newly found spirituality. tsb-bst.gc.ca. See all formats and editions Hide other formats and editions. Let's get it on, oh baby Let's get it on, let's love baby Let's get it on, sugar Let's get it on, whoa We're all sensitive people With so much to give, understand me sugar Since we got to be here Let's live, I love you There's nothin' wrong with me Lovin' you, baby love, love And givin' yourself to me can never be wrong If the love is true, oh baby [11] In Creem magazine, Robert Christgau called the record "post-Al Green What's Going On, which means it's about fucking rather than the human condition, thank the wholly holey". [Chorus 1] C Em7 F G7 Let's get it on, aah... babe, C Em7 F G7 Let's get it on, let's love, baby. Traductions en contexte de "lets... lets get on" en anglais-français avec Reverso Context : Yes, well, lets... lets get on with these, shall we? The music atmosphere of the 1970s was heavily influenced by its success and sexual content, as its sexual-explicitness bent creative barriers in the music industry and led to an increased popularity of sexual themes in music at the time. [CDATA[ Livraison gratuite (voir cond.). From first note to last, he keeps pushing and shoving, and if he sometimes takes one step back for every two ahead, he gets there just the same — and with style and spirit to spare". Traduction de Let's Get It On par Marvin Gaye. Marvin Gaye. [26] It was ranked number 58 on The Times's 1993 publication of the 100 Best Albums of All Time. Serving as Gaye's first venture into the funk genre and romance-themed music, "Let's Get It On" incorporates smooth soul, doo-wop, and quiet storm. In addition, pop production techniques were simpler than that of Gaye's 1970s concept albums. "[11], "Distant Lover" has Gaye crooning over serene instrumentation, leading to soulful screams near the end; from a heartbroken croon to an impassioned wail. "[7] BBC Music's Daryl Easlea found Gaye "in supreme command of his material", and viewed it as "much more than an album about simple lust", but an "iconic, rapturous work". “Let’s Get It On” is a classic Motown single, endlessly repeatable and always enjoyable. Let's Get It On: Marvin Gaye, Ed Townsend: 4:44: 2. Alors faisons le nécessaire au niveau national comme au niveau mondial. [36], Because of the album and its singles' initial sales and response, Let's Get It On marked a change and transition in sound and production for Motown, which had previously enjoyed success with its trademark "Motown Sound". [Verse] C Am7 F G7 We're all sensitive people, C Am7 F G7 With so much love to give; under-stand me, sugar. Recommençons ensemble, Let's get it on Ah, baby, let's get it on Let's love, baby Let's get it on, sugar Let's get it on We're all sensitive people With so much to give Understand me, sugar Since we've got to be here Let's live I love you There's nothing wrong with me Loving you, baby no no And giving … Marvin Gaye - Let's Get It On Lyrics & Traduction. Il y a un sacré aimant si jamais j'en vois un. He began incorporating his new outlook into his music, as initially expressed through the socially conscious album What's Going On, along with promotional photos of him wearing a kufi in honor of African traditional religions and his faith.[2]. "Let's Get It On", loin d'être un prolongement de "What's Going On" comme son titre pourrait le laisser penser, est une suite de huit slow inspirés par la relation (extraconjugale) du chanteur avec une mineure de 17 ans (alors qu'il en avait 34). Aimons-nous bébé. [1] Accompanied by an experienced group of session musicians called The Funk Brothers, who had contributed to Gaye's What's Going On, and received their first official credit, Gaye recorded the unreleased songs "The World is Rated X" and "Where Are We Going" and the single "You're the Man" (1972) at Golden World. La dramaturgie et le romantisme du classique, le déhanchement du groove black, la sincérité brûlante de la soul, le raffinement et le climat brumeux du jazz, quelques épices afro-cubaines dans les percussions et le tour est joué. “Let’s Get It On” is a deceptively simple declaration of sex-positivity, released at a time when such statements were revolutionary. [17] Let's Get It On charted for 61 weeks on the Billboard charts,[18] and remained at the top of the Billboard Soul Albums for 11 weeks, becoming the best-selling soul album of 1973. Marvin shares that he always lets Jolina get the first taste of his cooking | Magandang Buhay. [32] Blender magazine ranked the album number 15 on its list of the 100 Greatest American Albums of All Time. lets get it on 87 GIFs. Watch the video for Let's Get It On from By All Means's Beyond a Dream for free, and see the artwork, lyrics and similar artists. Let's Get It On est le douzième album studio du chanteur de musique soul américain Marvin Gaye, sorti chez Tamla Records (Motown) le 28 août 1973 aux États-Unis. [2] It was originally written by Gaye as a religious ode to life, but Motown singer-songwriter Kenneth Stover re-wrote it as a more political first draft. Of course, by todays standards,"Let's Get It On" would be considered very tammed, but back then people were like ohhing and ahhing, but they also ate it up! … Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. My favorite though was "Please Stay (Once You Go Away)". It produced three singles—the title track, "Come Get to This", and "You Sure Love to Ball"—that attained Billboard chart success. "[21] Allmusic's Lindsay Planer cites it as a "hedonistic R&B masterpiece. Of course, by todays standards,"Let's Get It On" would be considered very tammed, but back then people were like ohhing and ahhing, but they also ate it up! As an adult, he suffered from impotence and became plagued by sadomasochistic fantasies, which haunted him in his dreams and provoked intense feelings of guilt. Amazon.fr : Achetez Let's Get It On (1990-10-25) au meilleur prix. Billboard called it "fine in terms of vocal attack and material [...] touches on the excellent in terms of instrumental support", while citing the title track and "Distant Lover" as the album's best recordings. The songs that were to be included on it, along with other unreleased recordings from Hitsville West and Golden World, were later featured on the 2001 re-release of Let's Get It On. [19], Two of the album's singles reached the top 40 of the Billboard Hot 100, including "Let's Get It On", which became Gaye's second number-one US single, and the top-30 hit "Come Get to This", which peaked at number 23 on the chart. [15] The album peaked at number two on the US Billboard Top LPs chart, succeeded by The Rolling Stones's Goats Head Soup (1973),[16] while it also managed to reach number one in Cash Box for one week, as well as two weeks at the top of Record World's music charts. Keith Sweat probably took notes from this begging joint. Directed by Alex de Renzy. [7] "Just to Keep You Satisfied" was originally recorded by several Motown groups, including The Originals and The Monitors, as a song dedicated to long-standing love. [20] The album's third single, "You Sure Love to Ball", charted at number 50 on the Hot 100 and at number 13 on the Soul Singles chart. [Verse 2] C Em7 F G7 We're all sensitive people, C Em7 F G7 With so much to give; under-stand me, sugar. [1] "Where Are We Going" was later covered by trumpeter Donald Byrd. [13] The song's lyrics chronicled the yearning its narrator feels for a lover who is "so many miles away", as he pleads for her return and laments the emptiness he feels without her. Let's Get It On - Kindle edition by Hodges, Cheris. Download it once and read it on your Kindle device, PC, phones or tablets. [7], The album's first recording, "Let's Get It On", was composed by Gaye with friend and former Motown label mate Ed Townsend. 2020-07-19T21:55:26Z Comment by Triska Knee. The label's well-known sound, however, was beginning to fade in popularity among the majority of R&B and soul listeners, while experiencing commercial pressure from contemporary styles that incorporated more diverse elements, such as Philly soul and funk. So let's get it done-at the national level and at the global level. In the Groove/I Heard It Through the Grapevine! Let's get it on Let's get it on You know what I'm talkin' 'bout C'mon, baby Let your love come out If you believe in love Let's get it on Let's get it on, baby This minute, oh yeah Let's get it on Please, let's get it on. His view of sex was unsettled, tormented, riddled with pain. The album has been regarded by many music writers and critics as a landmark recording in soul. I don't believe in overly moralistic philosophies. [4] In his book Divided Soul: The Life of Marvin Gaye, Gaye biographer David Ritz wrote of the singer's inspiration behind Let's Get It On: If the most profound soul songs are prayers in secular dress, Marvin's prayer is to reconcile the ecstasy of his early religious epiphany with a sexual epiphany. Gaye also contributed on piano during the sessions. [7] Most of the instrumentation for the album was done by members of The Funk Brothers, including bassist James Jamerson, guitarists Robert White and Eddie Willis, and percussionist Eddie "Bongo" Brown. [18] Jon Landau of Rolling Stone found Gaye's performance on-par with that of What's Going On and wrote that "he continues to transmit that same degree of intensity, sending out near cosmic overtones while eloquently phrasing the sometimes simplistic lyrics". Its sexual balladry, multi-tracking of Gaye's vocals, and seductive, funk sound influenced later R&B artists and production. [Verse] C Am7 F G7 We're all sensitive people, C Am7 F G7 With so much love to give; under-stand me, sugar. Liste des titres. [29] Gaye's change of musical style and production soon became contemporary and popular, prior to the disco era of the late 1970s. In his struggle to wed body and soul, in his exploration of sexual passion, he expresses the most human of hungers—the hunger for God. Amid relocation and his lack of material, Gaye was struggling with his conscience, as well as dealing with expectations from his wife, Gordy's sister Anna. [Verse 2] C Em7 F G7 We're all sensitive people, C Em7 F G7 With so much to give; under-stand me, sugar. [2] Townsend has cited Hunter's presence during the album's recording as an inspiration for Gaye. Alors viens, ho viens. Originally a member of the doo-wop group The Moonglows, he pursued a solo career after the group disbanded and released many successful solo hits including "I Heard It Through the Grapevine", "Let's Get It On" and "What's Going On". [11] Although he viewed that it "lacks that album's series of highpoints", Landau commented that "it ebbs and flows, occasionally threatening to spend itself on an insufficiency of ideas, but always retrieved, just in time, by Gaye's performance. The contract provided him with more creative control over his recordings. It has been noted by critics for its sexually suggestive lyrics, and was cited by one writer as "one of the most sexually charged albums ever recorded". Signaler. [14], Released on August 28, 1973, Let's Get It On surpassed Gaye's previous studio effort, What's Going On, as the best-selling record of his tenure with Motown. MK Digital. Originally a member of the doo-wop group The Moonglows, he pursued a solo career after the group disbanded and released many successful solo hits including "I Heard It Through the Grapevine", "Let's Get It On" and "What's Going On". The title track of Gaye's album Let's Get It On (1973), it was written by Marvin Gaye and producer Ed Townsend. [3] He was also struggling with deciding whether or not to relocate to Los Angeles, following Motown-CEO Berry Gordy's move of the record label and replacement of the Detroit-based Hitsville U.S.A. (Motown Studio A) recording studio with the Hitsville West studio in Los Angeles. It has warmth, depth, an expansive presence. C Am7 F G7 Let's get it on, C Am7 F G7 Let's get it on. Search, discover and share your favorite Lets Get It On GIFs. It was one big come on after another, and it probably set the birth rate ahigh! {Recommençons ensemble} J'ai vraiment essayé, bébé. I think Let's Get It On was Marvin wanting to make commentary on what was happening. [37], The album also affirmed Gaye's influence over later R&B styles and artists. I know you know what I been dreamin' of, don't you baby? La traduction de Let's Get It On de Marvin Gaye est disponible en bas de page juste après les paroles originales. Marvin Gaye - Let's get it on (+ Jack Black, Wendy Colonna) / It seems much easier to transpose down a half step than trying to play Eb Cm7 Ab Bb7 that the other tab uses. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. Lets get on. [13], "You Sure Love to Ball" is one of Gaye's most sexually overt and controversial singles, with its intro and outro featuring moaning sounds made by a man and woman engaged in sex. Ou presque. Well, let's get it done. Marvin Gaye, Lets get it on. It was one big come on after another, and it probably set the birth rate ahigh! "You Sure Love to Ball", the album's most sexually overt song. His best albums are still held in extremely high regard, and he is often cited as one of the finest… read more [30], Since its initial reception, Let's Get It On has been viewed by writers as a milestone in soul music.
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